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Apr 1, 2008
nt to get rid of that nasty shine that you get taking pictures? Well now you can, follow these easy steps: Let's start with a great, overlooked trick. After opening the image, open the same image again in a new window. In Photoshop, choose Window ->Arrange -> New Window. In Elements choose View->New Window. This allows you to view one window zoomed in for detail work and the other window at 100% so you can judge the effects. Using the magnifying glass tool draw a box around the area of shine. Make the box big enough to also show a fair amount of un-shiny skin. Select the Clone tool. At the top of the page select Mode: Darken and use the slider to set Opacity at 50%.Using the Clone Tool, select an area of un-shiny skin by putting the circle over the area and holding down the Alt button while left-clicking the mouse. To best match skin tone try to select the area of skin closest to the shine. Quick tip, to easily resize the Clone Tool circle simply use the bracket keys, [ and ] - much easier than moving your cursor back and forth between the photo and the Size slider. Now simply click on the shiny area and watch the magic happen. You'll have to experiment a little for best effect, and for larger areas be sure to resample the un-shiny skin frequently. In the zoomed-in image the effect might look too obvious, so you'll need to keep an eye on the 100% image to track your progress. Notice the difference on the tip of the nose, the cheek, and above his eye.

Touching up photos is fun and easy, follow these simple steps to learn how to make a black and white photo. Start by choosing the photo you want to convert to Black and White, any size, background or quality is cool. Go to Image - Adjustments - Black and White. Ok, now this menu will show up, you'll have to change all the values depending on your photo's color. Take your time to make the best contrast possible. The following settings are just an example. Now that you have finished with the Black and White, we're going to make some manual shadows and highlights to make the photo more stunning. Grab the Burn tool. Set the master Diameter Settings depending on your photo's size. Now make some exaggerated shadows. We made this to make like a visual impact. Now, grab the Dodge Tool. (you can find the dodge tool making right click in the Burn Tool) Make some highlights (of course, in the parts you didn't make shadows) Finally, the last touch.Go to Filter - Sharpen - Unsharp Mask. And put just a little bit of sharp, enough to make the image a little stronger. And its done! Your stunning Professional Black And White Photo in Photoshop CS3 is finished.

Photo manipulations are really fun ways to change photos around and make them different in exciting ways. Textures are a huge part of photo manipulations. They can completely change a picture. You can download textures from many different texture websites. Textures are very helpful when making a dark piece. I will demonstrate how to use these effectively. First get a picture of someones face. Now I want you to apply a texture of a bumpy/jagged rock or rocks. Set it on hard light or vivid light (whichever looks best for you). Add some color changes and a bit more. Now with some color changes and more contrast and more black, it could turn out to be a really nice photo manipulation.

Open the JavaScript Reference Guide and click the ArtLayer bookmark to the left in Adobe Reader, now you can first se all properties available for ordinary layers and after that is all the methods available for it. Hello worldNow it's time to try your wings by creating and running your first script for Photoshop. As always the first program you create in a new programming language should always output the Hello world sentence. To install a script you simply copy it to Photoshop's scripts folder which in windows is located in: c:Program FilesAdobePhotoshop CS2PresetsScripts Before you can use it from Photoshop you have to quit Photoshop and restart it. Once you have done this the script is available under File > Scripts

Start with a blank photoshop document of size 1024*768 and white background. Choose the brush "rough round bristle" from the toolbar. Create a new layer and draw some lines. Right click on the new layer and choose "blending options". Choose the values. DROP SHADOW INNER GLOW BEVEL AND EMBOSS; For "texture", choose "satin" as the pattern. TEXTURE Now add some motion blur to this layer from filters > blur > motion blur. Similarly, add gaussian blur also to this layer with the radius around 72. Not so catchy yet. Well try this. Change the background color of the default layer as black by choosing Edit > Fill from menu. Now look at the output. Ahh, that looks much better, isn't it ? You can add some text to this texturised background if you wish.

This section describes how to use some of the basic tools that you will need to use in the tutorials. This section in particular will be added to over time.The airbrush is the favourite tool of most digital artists. The tool options (just below the drop down menus) can be altered very subtly to achieve a range of effects - this is the most creative aspect of many of these tutorials. The tool shape selection menu at the left of the tool bar can alter the brush's shape - soft to hard edges, as well as special shapes such as blades of grass. The size can also be altered with obvious effects. The layer style for the brush can be altered - for more information see the section on blending layers elsewhere in the tutorial. The opacity slider will affect the opacity of the paint that is applied. The flow slider effects the speed at which the paint is applied.

A way to make a whole pallette from the three colors is not extremely difficult. Open a new canvas, does not really matter the size, but keep it no smaller than 468x60. Click on the gradiant tool on the left tool bar. Go into the Gradient Editor, by clicking on the colored gradient on the top toolbar. Place the darkest of the three colors on one side, the lightest on the other, and the midtone in the middle. Keep the opacity at 100%. Press Ok, then click-drag a horizontal line across the canvas. You can use the eyedrop tool to take the color from this canvas and color the skin of your project. Now that we have a pallete of color, we have to understand the effects of lighting on skin. It's a very simple concept, but understanding it is necessart to shading skin. As any matter, the brighter the light, the lighter the highlight and the darker the shadow. The dimmer the light, the difference between the light and the shadow decreases. The shadow cast by it is also affected by the light and darkness. The color of light affects it in the same way. If the light is green, it will have a green tint to the skin. If it is a small light, such as a lamp, a smaller portion of the skin will be that color, instead of affecting the whole skin. As stated before, most matter is affected the same way as this.
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